當自然以”藝術”的方式介入商業空間，它不再只是背景，而成為激發情緒、延長停留、重塑人與空間關系的核心力量。

When nature integrates into commercial spaces in an artistic way, it is no longer merely a backdrop, but a core force that evokes emotions, extends dwell time, and reshapes the relationship between people and space.

2026 年 3 月 31 日上午 9:30-12:30，上海新國際博覽中心 N5 館沙龍區 A，一場關于自然、藝術與商業空間深度融合的思想盛宴如期而至。

From 9:30 a.m. to 12:30 p.m. on March 31, 2026, a thought-provoking feast focusing on the in-depth integration of nature, art and commercial spaces was successfully held at Salon Area A, Hall N5, Shanghai New International Expo Centre.

作為2026 上海國際建筑節的重要組成部分，”自然藝術×商業空間”主題論壇吸引了來自景觀設計、商業地產、園藝植物、公共藝術等領域的從業者與愛好者。在三個小時的時間里，四位來自不同領域的實踐者，從真實案例與一線經驗出發，共同探討：

As a key highlight of the 2026 Shanghai International Architecture Festival, the themed forum Nature & Art × Commercial Space gathered professionals and enthusiasts from landscape design, commercial real estate, horticulture, public art and other sectors. Over the three-hour session, four cross-industry practitioners shared real-world cases and frontline insights to jointly explore:

·自然如何進入城市公共空間？

How nature integrates into urban public spaces;

·如何影響人的行為與情緒？

How it influences people’s behaviors and emotions;

·又如何在不被察覺中，改變一個空間的價值結構？

And how it subtly reshapes the value structure of spaces.

這不僅是一場關于設計的討論，更是一次關于未來生活方式的想象。

More than a design dialogue, this event also offered an inspiring vision of future lifestyles.

軍焰｜用花園，設計一段”停下來”的時間

Jun Yan|Design Slow Moments Through Gardens

花園鰻創始人 · 日本園藝學碩士

Founder, Garden EelMaster of Horticulture, Japan

軍焰是日本園藝學碩士、英國皇家園藝協會會員，從 2019 年中國花園節”創意花園”金獎到 2025 年花園大會創意花園鍍金獎，始終在探索現代庭院與自然契合的可能性。

Jun Yan, Master of Horticulture in Japan and Member of the Royal Horticultural Society (RHS), has been exploring the possibility of integrating modern courtyards with nature, from winning the Gold Award for “Creative Garden” at the 2019 China Garden Festival to the Gilded Award for Creative Garden at the 2025 Garden Conference.

他在論壇上分享了自己在桐鄉籌建的”鰻園”——一座承載園藝理想的后花園。從 2024 年常州花園節的”重塑庭隅”展園，到花園鰻公眾號和 B 站的大量園藝內容輸出，軍焰用專業與熱愛幫助無數園藝愛好者摸索入坑。

At the forum, he shared his “Eel Garden” built in Tongxiang — a backyard garden that carries his horticultural ideals. From the “Reshaping Courtyard Corners” exhibition garden at the 2024 Changzhou Garden Festival to the massive horticultural content released on Garden Eel’s official WeChat account and Bilibili channel, Jun Yan has used his professionalism and passion to help countless horticulture enthusiasts get started in the field.

核心觀點：花園不是炫耀的資本，而是讓人停下來的理由。在效率至上的城市節奏中，我們需要一段被植物包圍的、可以深呼吸的時光。

Core Insight:A garden is not a capital for showing off, but a reason to pause. In a city rhythm dominated by efficiency, we need a period of time surrounded by plants, a moment to take a deep breath.

趙奕｜共生共榮：商業業態與自生長植物景觀的融合之道

Zhao Yi | Symbiosis and Co-prosperity: The Integration Path of Commercial Formats and Self-growing Plant Landscapes

無盡夏景觀創始人 · 自然主義花境踐行者

Founder of Endless Summer Landscape · Practitioner of Naturalistic Flower Borders

從 2019 年上海中興路一號的花境設計，到上生新所二期的”都市森林”營造，趙奕老師用她的專業素養和審美追求，在中國房地產項目固化陳舊的局面上”撕出一道裂縫”。

From the flower border design of Shanghai Zhongxing Road No.1 in 2019 to the creation of the “Urban Forest” in Phase II of Columbia Circle, Ms. Zhao Yi, with her professionalism and refined aesthetic vision, has broken the rigid, outdated stereotype of domestic real estate landscape design.

她是長效低維花境理念的倡導者與踐行者，致力于探索以中國原生植物為主要用材的”新中式花境”之路。疫情之后，她擔任植物顧問的徐匯萬科中心、上生新所等項目，成為自然主義走進商業綜合體的典范。

As a leading advocate and practitioner of the long-term low-maintenance flower border philosophy, she devotes herself to developing a neo-Chinese flower border style centered on native Chinese plant species. In the post-pandemic era, landmark projects with her as botanical consultant, including Xuhui Vanke Center and Columbia Circle, have set benchmarks for integrating naturalistic landscape into commercial complexes.

核心觀點：好的植物景觀不是一次性設計完成的結果，而是一個在使用、協作與共創中持續演化與生成的開放系統。平平無奇的植物，在恰當的設計下，也能擁有山水畫的意境。

Core Insight:A refined plant landscape is never a one-off finished product, but an open ecosystem that keeps evolving and growing through long-term usage, collaboration and co-creation. Even humble, ordinary plants can embody the poetic conception of traditional Chinese landscape painting with thoughtful design.

劉泉｜山歸徠：山野美學如何成為都市人的情緒容器

Liu Quan | Return to Mountains: How Wilderness Aesthetics Serves as an Emotional Container for Urban Dwellers

TOMASTER 明日大師創始人 · PICKLINK 采采綱目投資人

Founder of TOMASTER Tomorrow Master ? Investor of PICKLINK Caicai Gangmu

2015 年從倫敦帝國理工畢業，11 年執掌 ToMASTER 明日大師，100 多個項目介入城市空間，20+ 國際獎項——這是劉泉的創業成績單。上海地鐵豫園站、漢中路站的”蝴蝶墻”藝術空間，深圳地鐵前海灣站的 MUSE 最高鉑金獎，都是她的代表作。

Graduated from Imperial College London in 2015, Liu Quan has led TOMASTER Tomorrow Master for 11 years, with over 100 projects intervening in urban spaces and more than 20 international awards — this is her entrepreneurial resume. Her representative works include the “Butterfly Wall” art spaces at Shanghai Metro Yuyuan Station and Hanzhong Road Station, as well as the MUSE Highest Platinum Award for Shenzhen Metro Qianhaiwan Station.

但在 2024 年，這位”公共藝術推動者”選擇了一場出走。她開著房車帶著兩個孩子深入云貴深山，在海拔 2700 米的阿西里西韭菜坪完成了從”公共藝術推動者”到”情緒價值煉金師”的轉型。

However, in 2024, this “promoter of public art” chose to take a departure. She drove an RV with her two children deep into the mountains of Yunnan and Guizhou, and completed her transformation from a “promoter of public art” to an “alchemist of emotional value” at Ailixi Chives Flat, located at an altitude of 2,700 meters.

核心觀點：”山不來看我，我自去看山。”山野美學不是逃避，而是一種回歸——回歸到東方文化的根脈，回歸到人最本真的情緒需求。她用中草藥潮流藝術品牌 PickLink，探索一條將傳統文化、當代藝術與都市人精神需求相融合的”情緒藝術”之路。

Core Insight:“If the mountains will not come to me, I will go to the mountains.” Wilderness aesthetics is not an escape, but a return — a return to the roots of Eastern culture, and a return to people’s most authentic emotional needs. Through her trendy Chinese herbal medicine art brand PickLink, she explores a path of “emotional art” that integrates traditional culture, contemporary art and the spiritual needs of urban dwellers.

陳煜初｜水生植物：重塑空間的生命力

Chen Yuchu | Aquatic Plants: Reshaping the Vitality of Space

高級工程師 · 水生植物開發利用專家

Senior Engineer · Expert in the Development and Utilization of Aquatic Plants

長期從事森林培育、風景區管理和園林等工作，陳煜初先生在水生植物園林應用關鍵技術研究、新品種選育、瀕危物種保育方面有突出貢獻。他先后發起組建了杭州市水生植物學會、中國園藝學會水生花卉分會、睡蓮產業聯盟等組織。

Engaged in forest cultivation, scenic area management and landscape architecture for a long time, Mr. Chen Yuchu has made outstanding contributions to the research on key technologies for the garden application of aquatic plants, the breeding of new varieties, and the conservation of endangered species. He has successively initiated and established organizations such as the Hangzhou Aquatic Plant Society, the Aquatic Flower Branch of the Chinese Society of Horticultural Science, and the Water Lily Industry Alliance.

國家林草局鄉土專家、中國風景園林學會科學傳播專家、中國花木產業年度人物……一個個頭銜背后，是 40 余項專利、170 余篇論文、16 部著作的學術積淀，更是發現 2 個植物新物種、選育 41 個新品種的實踐成果。

Native Expert of the National Forestry and Grassland Administration, Science Communication Expert of the Chinese Society of Landscape Architecture, Annual Figure of China’s Flower and Tree Industry… Behind these titles lies an academic accumulation of more than 40 patents, over 170 papers and 16 works, as well as practical achievements including the discovery of 2 new plant species and the breeding of 41 new varieties.

核心觀點：水生植物不僅是景觀元素，更是生態系統的重要組成部分。它們能夠凈化水質、調節微氣候、為生物提供棲息地，是重塑空間生命力的關鍵力量。

Core Insight:Aquatic plants are not only landscape elements, but also an important part of the ecosystem. They can purify water quality, regulate microclimate, provide habitats for organisms, and are the key force to reshape the vitality of space.

當城市不斷向上生長，人卻在逐漸遠離自然。我們習慣于功能與效率，卻忽略了空間本該承載的感知、情緒與停留的意義。

As cities keep growing upward, people are gradually drifting away from nature. We are accustomed to functionality and efficiency, yet we overlook the significance that spaces should inherently carry — perception, emotion, and the meaning of pausing.

軍焰的花園鰻品牌，追求庭院與自然的契合；趙奕的自然主義花境，倡導植物群落的自我演替；陳煜初的水生植物研究，關注生態系統的完整性——三位嘉賓從不同角度詮釋了”共生”的內涵。

Jun Yan’s Garden Eel brand pursues the integration of courtyards with nature; Zhao Yi’s naturalistic flower borders advocate the self-succession of plant communities; Chen Yuchu’s research on aquatic plants focuses on the integrity of ecosystems — the three guests interpreted the connotation of “symbiosis” from different perspectives.

“自然藝術”并不是簡單的綠化或裝飾，而是一種以自然為媒介的空間表達方式。它讓風、光、植物、時間，成為可以被感知、被參與、被記住的體驗內容。

“Natural art” is not a simple form of greening or decoration, but a spatial expression method that takes nature as the medium. It turns wind, light, plants and time into perceivable, participatory and memorable experience content.

劉泉的山野美學實踐，將原生本草與非遺技藝結合，創造出具有情緒療愈功能的藝術作品。這種”情緒藝術”的探索，為商業空間提供了新的價值維度。

Liu Quan’s practice of wilderness aesthetics combines native Chinese herbs with intangible cultural heritage (ICH) techniques to create works of art with emotional healing functions. This exploration of “emotional art” provides a new value dimension for commercial spaces.

從中興路一號的多樣性種植典范，到上生新所的野生美學更新，再到徐匯萬科中心的山林意境——趙奕老師的案例展示了可持續植物景觀如何在商業項目中落地。

From the exemplary diverse planting at Shanghai Zhongxing Road No.1, to the wild aesthetic renewal of Columbia Circle, and the mountain forest charm of Xuhui Vanke Center, Ms. Zhao Yi’s cases demonstrate how sustainable plant landscapes can be implemented in commercial projects.

低維護、自生長、本土化，這些關鍵詞背后，是對傳統高投入、高維護景觀模式的反思與革新。

With low maintenance, self-sustaining growth and localized species as the core principles, her practice reflects profound reflection and innovative breakthroughs against the traditional high-cost, high-maintenance landscape model.

基于本次論壇的討論，可以總結出2026 年商業空間設計的 5 大趨勢：

Based on the discussions of this forum, five major trends in commercial space design for 2026 can be summarized as follows:

空間設計從”好看”轉向”好感受”，關注用戶的情緒體驗與心理需求。山野美學、療愈花園、冥想空間將成為標配。

Space design is shifting from “visual appeal” to “sensory experience”, focusing on people’s emotional feelings and psychological needs. Wilderness aesthetics, healing gardens and meditation spaces will become standard configurations.

植物景觀從”一次性設計”轉向”持續性演化”，允許植物自然生長、自我更新，形成獨特的時間痕跡。

Plant landscapes evolve from one-off design to continuous natural succession. Allowing plants to grow and renew spontaneously creates unique temporal textures imprinted by time.

使用本土植物、本土材料、本土工藝，避免千城一面的國際化風格，打造有地域特色的空間語言。

Adopt native plants, local materials and regional crafts to break the homogeneous international style of identical cities, and build spatial language with distinctive regional characteristics.

園藝、藝術、商業、科技的邊界日益模糊，跨領域合作成為創新的主要來源。

The boundaries between horticulture, art, business and technology are increasingly blurred. Cross-disciplinary collaboration has become a core driver of innovation.

用戶不再是被動的使用者，而是主動的參與者。社區花園、共建景觀、互動裝置讓用戶成為空間的共同創造者。

Users are no longer passive occupants but active participants. Community gardens, co-created landscapes and interactive installations enable people to become co-creators of urban spaces.

感謝四位主講嘉賓的精彩分享，感謝主持人唐仕先生的專業引導，也感謝每一位到場交流的觀眾。

We would like to thank the four keynote speakers for their wonderful sharing, Mr. Tang Shi, the host, for his professional guidance, and every audience member present for their participation and exchange.

這場論壇雖然只有三個小時，但它所引發的思考與討論，將在未來的項目實踐中持續發酵。

Though the forum lasted merely three hours, the reflections and discussions it inspired will continue to resonate in future project practices.

自然藝術×商業空間的故事，才剛剛開始。

The story of

Natural Art × Commercial Space

has only just begun.